Agnes’ current practice leans more towards the spontaneous and intuitive than the premeditated or planned, drawing on internal emotions. She is always looking to find the right combination of form, shape and colour, putting particular emphasis on the choice of colour and mark making gestures. The marks, lines and placing of paint is an external mapping of her internal thinking. There is an intuitive feel for the balance of a composition and a visceral correctness. The works draw on an abstract language that tries to resolve a painting; they show a personal resistance for the need to react and explain everything. The works allow the viewer to feel without having to explain. Agnes wants to encourage the search for the elemental things that make for beauty and equilibrium.
We need your consent to load the translations
We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.